1) Introduction
1.1 The Sound Environment – Brief introduction to the notion of the sound environment
Opening our Ears
1.2 - The Eye and the Ear; sense-ratios and the dominance of visuality
1.3 - Opening our Ears; Sound and the Arts
1.4 - Acoustic Ecology; in theory and practice…
2) The Soundmap & Acoustic Ecology
The Soundmap; Introduction and Critique
2.1 – Overview of existing soundmap form
2.2 – Critique
Schizophonia
2.3 - Schafer's Schizophonia
2.4 - Schizophonia and the Soundmap
3) Related Practices within Acoustic Ecology…
The Soundwalk
3.1 - Max Neuhaus & the Soundwalk
3.2 - Emphasis on Site-listening
Soundscape Composition
3.3 - Soundscape composition and creative engagement with the soundscape and technology in the work of Hildegard Westerkamp
4) Sound Map: Extensions & Developments
Soundmap Extensions
4.1 – Focus on progressive examples – Urban Remix etc…
5) Development of a Wellington Regional Soundmap
Main points of development;
Site Listening and AR
5.1 - Site Listening; presence and difference
5.2 – AR & site listening
5.3 – Reduced Listening & Site Listening
Interface, Narrative & Intertextuality
5.4 – Narrative intertextuality and the social/semiotic dimension of sound
5.5 – Multi-media & , multiple - senses
5.7 – Cartography and the visual
representation of sound
6) Conclusions
